Mary Morris

Works
Actor (11),
Birthday
1915-12-13

Mary Morris - known for her work in such projects: «The Thief of Bagdad» (1940), «Full Circle» (1978), «Victoria the Great» (1937),

From Wikipedia

Mary Lilian Agnes Morris (13 December 1915 – 14 October 1988) was a British actress

Morris made her stage debut in Lysistrata at the Gate Theatre, London, in 1935. In 1943, she played Anna Petrovitch in the Ealing war movie Undercover as the wife of a Serbian guerrilla leader, and appeared in many British films of the 1930s and 1940s. On television, she played Professor Madeleine Dawnay in the science-fiction television drama A for Andromeda (and its sequel, The Andromeda Breakthrough), and Cleopatra in Antony and Cleopatra (as part of the BBC's adaptation of Shakespeare's Roman plays, The Spread of the Eagle, 1963).

As a Number Two in The Prisoner episode "Dance of the Dead" she dressed as Peter Pan during a masquerade ball. After a 25-year absence she reappeared in films as the mother of the murdered boy in the 1977 horror film Full Circle. She also appeared on television in Doctor Who in the story Kinda (1982), playing the pivotal role of the shaman Panna opposite Peter Davison.[citation needed]

Other television appearances included the Countess Vronsky in the BBC's Anna Karenina (1977), the macabre, ancient relative in the Walter de la Mare story, Seaton's Aunt (1983) in Granada Television's Shades of Darkness series and the formidable matriarch in Police at the Funeral, an adaptation of one of Margery Allingham's Albert Campion stories for the BBC's Campion (1989).

The most significant works of Mary Morris

The Ray Bradbury Theater poster
Matilda Hanks
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The BBC Television Shakespeare poster
Douchess of Gloucester
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Full Circle poster
Greta Braden
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The Prisoner poster
Number Two
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BBC Play of the Month poster
Madame Pernelle
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Thirty-Minute Theatre poster
The Woman
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Theatre 625 poster
Sister Leonora
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Doctor Who poster
Doctor Who 1963
Panna
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An Age of Kings poster
Margaret of Anjou
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Full filmography Mary Morris
In which film did Mary Morris give the best performance?
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