The Wrath of Becky

Hell hath no fury like a 16-year-old scorned.
The Wrath of Becky (2023)
Timing: 1:23 (83 min)

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Release date
Country
Budget
$199 507
Box office
$207 118
Website
Director
Matt Angel, Suzanne Coote
Scenario
Producer
Jordan Yale Levine, Chadd Harbold, J.D. Lifshitz, Raphael Margules, Jordan Beckerman, Russ Posternak, Tracy Rosenblum, Seann William Scott, Maurice Compte, Raja Collins
Camera operator
Julia Swain
Composer
Artist
Allie Leone
Audition
Editing
Stephen Boyer
Whole Team (38)

Short description

Two years after she escaped a violent attack on her family, 16-year-old Becky attempts to rebuild her life in the care of an older woman -- a kindred spirit named Elena. However, when a violent group known as the Noble Men break into their home, attack them and take their beloved dog, Becky must return to her old ways to protect herself and her loved ones.

What's left behind the scenes

  • In December 2021, producer J.D. Lifshitz approached Matt Angel and Suzanne Coote with a request to write a script and direct a sequel to the 2020 action film “Becky,” directed by Jonathan Milott and Cary Murnion. Without any further instructions or guidance, and with only three weeks available, Angel revisited Quentin Tarantino’s 2003 thriller “Kill Bill” to analyze its atmosphere and characters. The lead actress, Lulu Wilson, actively collaborated with the film's writers to soften the image of her character. Considering that two years had passed between the original film and the sequel, Wilson wanted to show that this time had not gone unnoticed for her character and that she had matured.
  • Matt Angel with Suzanne Coote, as well as cinematographer Julia Swain, decided not to shoot handheld, as was done during the filming of the original 2020 film, but to demonstrate sliding camera movement and use a 'Steadicam' camera stabilization system.
  • Producer J.D. Lifshitz approached Matt Angel and Suzanne Coote in December 2021, requesting they write the screenplay and direct a sequel. Without specific instructions and with only three weeks, Angel revisited “Kill Bill” for the atmosphere and characters. The lead actress, Lulu Wilson, actively collaborated with the filmmakers to soften her character’s image. Wilson wanted to show that the two years separating the sequel and prequel had left their mark on her character and that she had matured.
  • Matt Angel, Suzanne Coote, and cinematographer Julia Swain decided not to shoot handheld, as they did in the first film, but to use a Steadicam.

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