Persona

Ingmar Bergman's most personal and original film.
Persona (1966)
Timing: 1:25 (85 min)

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7.9/10
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8/10
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Release date
Country
Production
Genre
Budget
$0
Box office
$250 000
Website
Director
Scenario
Producer
Camera operator
Composer
Lars Johan Werle
Artist
Bibi Lindström
Audition
Editing
Ulla Ryghe
Whole Team (19)

Short description

A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.

What's left behind the scenes

  • In ancient theatre, the term "Persona" denoted a mask through whose mouth opening the actor declaims their role. The term "Persona" itself was borrowed by Ingmar Bergman from Carl Gustav Jung's philosophical theory concerning the connection between "Persona" and "Anima" in life, where "Persona" represents a mask portraying a specific role in society, while concealing the true "self." "Anima," or "Animus," is the collective image of a woman in a man's individual unconscious, and vice versa; it is an archetype, opposite to the perfect image of the "Persona."
  • Bergman initially planned to name the film "Cinema" (the film begins with a depiction of a cinema projector lamp lighting up, flashes of frames, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.
  • In the spring of 1965, Ingmar Bergman (1918-2007) fell ill with pneumonia and was hospitalized, where he wrote the screenplay for "Persona."
  • In ancient theater, the term 'Persona' referred to a mask through which an actor declaims their role. The term 'Persona' itself was borrowed by Ingmar Bergman from Carl Jung's philosophical theory concerning the relationship between 'Persona' and 'Anima' in life, where 'Persona' represents a mask portraying a specific role in society, concealing the true self. 'Anima,' or 'Animus,' is the collective image of the woman in a man's individual unconscious, and vice versa – an archetype opposite to the perfect image of the 'Persona.'
  • Bergman originally planned to title the film "Cinema" (the picture begins with a demonstration of a film projector lamp lighting up, frames flashing, somewhere in the middle the film breaks, and at the end of the film the lamp goes out). However, the producer prevented this.

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