Copying Beethoven

Copying Beethoven (2006)
Timing: 1:44 (104 min)

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6.5/10
187
6.7/10
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Release date
Genre
Budget
$11 000 000
Box office
$6 163 685
Website
Scenario
Producer
Christopher Wilkinson, Michael Taylor, Alex Lewis, Bruce Webb, Andreas Grosch, Andreas Schmid, Ernst Goldschmidt, Marina Grasic, Jan Korbelin
Camera operator
Ashley Rowe
Composer
Artist
Caroline Amies
Audition
Editing
Alex Mackie
Whole Team (38)

Short description

A fictionalised exploration of Beethoven's life in his final days working on his Ninth Symphony. It is 1824. Beethoven is racing to finish his new symphony. However, it has been years since his last success and he is plagued by deafness, loneliness and personal trauma. A copyist is urgently needed to help the composer. A fictional character is introduced in the form of a young conservatory student and aspiring composer named Anna Holtz. The mercurial Beethoven is skeptical that a woman might become involved in his masterpiece but slowly comes to trust in Anna's assistance and in the end becomes quite fond of her. By the time the piece is performed, her presence in his life is an absolute necessity. Her deep understanding of his work is such that she even corrects mistakes he has made, while her passionate personality opens a door into his private world.

What's left behind the scenes

  • In the film Beethoven, when asking Anna Holz if she studied his piano sonatas during her training, he refers to his Sonata No. 14 as "Moonlight." In reality, the world-famous name "Moonlight Sonata" for Piano Sonata No. 14 was only given after the composer's death in 1832.
  • In the film, Beethoven, asking Anna Holz if she studied his piano sonatas during her training, refers to his Sonata No. 14 as the "Moonlight." In reality, the world-renowned name "Moonlight Sonata" was only given to Piano Sonata No. 14 after the composer's death in 1832.

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